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Saturday, July 31, 2010

undulating~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~


Aaaahhhh sweet self righteousness...



May tending our own gardens perform righteous acts upon the earth?

May tending our own gardens perform righteous acts upon the earth.

May tending our own gardens perform righteous acts upon the earth.....

I am pleased to make art, to share it and to allow it to go as I let go of what comes through me. Have proven many times to myself the things that happen to me when I try to plug it from gushing all over. Will the outcome be pleasing or filled with the horrors of gobblygook? Give me ten minutes, ten years, perhaps even tens of thousands of years to answer and that answer may be different each time. Am I really using the voice from with in/out or is it that time allows no language to represent itself? Is there really time, but, instead timelessness. 
Is self righteousness of the self but instead a time/timelessness we enter to wield our swords to battle time away, or a friend, or an enemy. I use my self righteousness when I am feeling exactly the opposite - self doubting. I use it when I am battling fatique and want to be not bothered by the other/outer/inner. I use it when I see others dismantle the ground I try to stand upon with their toxic behavior, my toxic behavior. To err is human. For sure? Does that mean when I am righteous that I am inhuman. Oh undulating linguistics. Another wave that we each ride to...

Friday, July 30, 2010

Aaaahhhh sweet self righteousness...



May tending our own gardens perform righteous acts upon the earth?

May tending our own gardens perform righteous acts upon the earth.

May tending our own gardens perform righteous acts upon the earth.....

I am pleased to make art, to share it and to allow it to go as I let go of what comes through me. Have proven many times to myself the things that happen to me when I try to plug it from gushing all over. Will the outcome be pleasing or filled with the horrors of gobblygook? Give me ten minutes, ten years, perhaps even tens of thousands of years to answer and that answer may be different each time. Am I really using the voice from with in/out or is it that time allows no language to represent itself? Is there really time, but, instead timelessness. 
Is self righteousness of the self but instead a time/timelessness we enter to wield our swords to battle time away, or a friend, or an enemy. I use my self righteousness when I am feeling exactly the opposite - self doubting. I use it when I am battling fatique and want to be not bothered by the other/outer/inner. I use it when I see others dismantle the ground I try to stand upon with their toxic behavior, my toxic behavior. To err is human. For sure? Does that mean when I am righteous that I am inhuman. Oh undulating linguistics. Another wave that we each ride to...

Thursday, July 29, 2010

Another early Beeswax and Natural pigment painting

Flat Rock Creek
Beeswax and natural pigment on paper
11” x 15”
1992




Wednesday, July 28, 2010

Article appears in Wilmington NC "Natural Awakening Magazine"








http://www.livenaturalnc.com/
Painting With and For Nature
in Surf City
by Angelica Pallas








Infinity: beeswax and natural pigment on


Lotka paper. 46” x 14”. 2009.





   Greg Patch’s paintings of infinity, the body’s seven energy centers or chakras, and relationships between 
opposing forces symbolize the very essence of life – the waves of energy that move the natural world universally. A means of meditation for the Surf City artist and a vehicle of contemplation for others, the wavy patterns and symbols that emerge in his paintings are created with material as natural as the ancient, sacred geometry that inspires them. A mixture of beeswax and 
natural pigments is the artist’s medium of choice, and for good reasons. “Sustainable alternative mediums 
that are free of turpentine, processed oils, plastics, lead, preservatives and fungicides are at our fingertips: 
beeswax, egg tempera, watercolor, earth (clay) and 
sustainably produced wood, for example,” Patch says.
   A look at some of the material safety data sheets 
(MSDS) on popular mediums is eye-opening. The following safety data excerpt on the commonly used flake white oil paint is one example Patch shares on his website, GreenArtStudio.com, in “A Look at Toxicity in Visual Arts Materials”:
“USAGE PRECAUTIONS: Avoid spilling, skin and eye contact. Wear full protective clothing for prolonged exposure and/or high concentrations. Pregnant or breast-feeding women must not handle this product.” 
   Sounds more like an excerpt from the MSDS for nuclear waste than art paint. One can only wonder if the fox is guarding the chicken coop. “The use of these toxins is legally regulated under the classification of non-toxic by the Art & Creative Materials Institute, Inc (ACMI),” the environmental artist explains. “Unfortunately, the ACMI is funded by art paint
manufacturers and those producing the ingredients inside the material like the petroleum and chemical industries.”
   Active in the evolution of a people- and earth-friendly art community, Patch joins other eco-artists at events like ecoartspace’s “What Matters Most?” show and benefit in New York City in April. A collection donated by 300 artists to support the environmental efforts of ecoartspace, each piece is priced at only $150 and can be viewed at EcoArtSpaceWhatMatters- Most2010.blogspot. com. On June 28, the day of Tate Britain’s summer party celebrating BP’s 20-year sponsorship of the art gallery, Patch joined 170 others in the international art community in an unprecedented coalition from the arts condemning BP’s sponsorship of the 113-year-old British art gallery. Including signatures of masters whose works are held or have been held in collections within the gallery, an excerpt from the letter reads: “As crude oil continues to devastate coastlines and communities in the Gulf of Mexico, BP executives will be enjoying a cocktail reception with curators and artists in the Tate Britain. These relationships enable big oil companies to mask the environmentally destructive nature of their activities with the social legitimacy that is associated with such high-profile cultural associations.”
   Waking each day to a sun that grows ever hotter as it rises over our one ocean, Greg Patch has a very clear view of what eco-art is: “Artists can create great works to honor the environment, but not until we start using materials and methods that honor the environment are we accepting personal responsibility for the environment.”


Pigments with No Significant Hazards
Charcoal, Bone, Graphite & Mars Black
Ultramarine Blue, Green, Red & Violet
White #18, 23 & 24
Titanium White
Van Dyke Brown
Mars Yellow, Orange, Violet & Black
Ochre & Yellow Ochre
Yellow Oxide # 42 & 43
Metallic Gold #3
Metallic Silver
The Siennas
Sepia
Indian Red (red iron oxide)
Phthalocyanine Blue & Green
The information was compiled by artist
Greg Patch from the Environmental Management
Division of the City of Tucson’s
“Health & Safety in the Arts: A Searchable
Database of Health & Safety Information
for Artists.” To view the full database, visit
www.ci.tucson.az.us/arthazards/.

Samplings of Greg Patch’s paintings are on display ongoing at ArtExposure just south of Highway 210(Lowes) at 22527 Highway 17 North in Hampstead and at Porters Neck Yoga & Spa at 8004 Market St. in Wilmington, with an opening scheduled at Sage Salon & Spa at 7110 Wrightsville Ave., Unit A-2 in mid-September. His full portfolio can be viewed online at GreenArtStudio.com. Additional information is also available on his blog at GregPatch.blogspot.com. 910-616-9930.







Tuesday, July 27, 2010

Quantum Science and Budhism at the Mind and Life Institute and the University of Innsbruck

http://www.mindandlife.org/
//physicsworld.com/cws/article/news/3186




The similarities between Quantum Physics and Budhism are significantly similar. A series of gatherings and studies with the Dalai Lama, head of Tibetan Budhism, and quantum physicists from the Mind and Life Institute in Boulder CO and Zurich and other world reknown quantum physicists at the University of Innsbruck have independently/internationally joined to compare notes. The results are very promising toward a new perspective on who we are and how we are capable of perceiving the world/universe in a more realistic and heart full way.

Monday, July 26, 2010

Gottfried Wilhelm Leibnitz quote




Leibniz wrote; 

"Reality cannot be found except in one single source, because of the interconnection of all things with one another."






In words many have said, say now and will say, in my own words;



What is within is without / what is without is within, the microcosm is the macrocosm / the macrocosm is the microcosm, the infinite negative is the infinite positive / the infinite positive is the infinite negative, darkness is lightness / lightness is darkness. By caretaking your wholey vessel you caretake all that is. You are one. Be Well.

Saturday, July 24, 2010

Tomorrow's Full Moon is at...

3º Aquarius.
"There’s a certain exuberance to the Full Moon in Aquarius this Sunday that suggests movement, and lots of it. It could be the out that we’ve all been looking for, the “open sesame” that magically creates a door in the brick wall we’ve been hitting for so long"... 
from http://realastrologers.com/full-moon-in-aquarius-july-25
enJoy!