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Showing posts with label beeswax and pigment. Show all posts
Showing posts with label beeswax and pigment. Show all posts

Monday, May 27, 2019












wood grid
Papel de Amate, besswax, wood, low VOC resin & 6 Maples as one
21" x 8" x 4"
Tillson NY

this piece from about ten years ago was in storage and placed with this small Maple stand...

Love & Peace with CoCreativity

Elements are Life






Friday, April 19, 2013


Yellow Cloud Wave
Beeswax & natural pigment on Elephant dung paper
5" x 7"
2007

Thursday, April 18, 2013

Tuesday, April 16, 2013

Yellow Wave
Beeswax & natural pigments on paper
11” x 14”
2005

Monday, April 15, 2013



Sunny Side Up Wave
Beeswax, natural pigment on paper
8 1/2” x 11”
2007





Thursday, April 11, 2013

Black Water Snake Loti           27” x 32”          mixed eco-friendly materials                 

Earth ochre pigments
Beeswax & natural pigments (Stockmar)
green Walnut husk dye
Rainbow Swiss Chard dye
remineralized spring water
Khadi paper
Elephant dung paper
butcher block paper

Eco Friendly Art Studio Sale
Greg Patch’ Beeswax, Egg Tempera & Wheat flour mediums
with Earth pigments, recycled materials and natural papers
Sat, April 13th, 2013
1 - 5 PM at Green Art Studio, 518 Grace St
in historical downtown Wilmington
&
$1/min chair massage from 
Andrea Sondey of "Shakti Massage" www.shaktimassage.com

Thursday, April 4, 2013

I opened 5' x 10' "Webh Celebration", 2009 from within its storage tube for & with Green Art Studio 
~Hello Universe~






from my June 15th, 2010 post http://gregpatch.blogspot.com/2010/06/webh-celebration.html

The concept for the “Webh Series” originated as a continuation of the “Chakra Rising Wave Series.” The words wave, weave, and web are derived from the Proto-Indo-European root word webh. Within a template symbol, Webh employs three basic grays;  red/green, orange/blue, and yellow/violet. A symbolic representation of the webh on seven color fields creates a whole having 21 saparate panels. The textured pattern of the Lokta/Nepal paper augments the overall pattern within the panels by solidifying its foundation. "Webh Celebration" is 5' x 10'.

Webh is symbolic of the internal and external relationships between opposing concepts of us and them. Symbolic levels also include earth and water, fire and air, matter and non matter, imbalance and wellbeing, inhaling and exhaling, and di and da. It is the system expressed as an interconnected whole.

In art there has traditionally been realism and abstraction.  Artists are beginning to bridge this gap and to recognize and formalize a wholistic picture: real and abstract. Webh maintains the individuality and quality of each within a wholistic relationship, while creating a separate entity within the unique character of each piece. There is a quantum moment within a process when these merged perspectives bring forth the world in its totality. The work becomes a self portrait as well as a portrait of a culture. Artists are coupling their "new"*understanding of 'wholeness' to the greater community. In these paintings this pattern appears at a level where old and new meet, link, renew, and weave together again.  Many artists today are reconnecting to our roots and traditional cultures. This work can be symbolic of the basis of life, DNA, the Caduceus.  The webh is infinite.  

[Footnote this] “New,” used above, is in quotes because this concept of wholeness is not new. Many older civilizations understood this duality. The Aborigine, Native American, African traditionals, Celtic, Ayurvedic, European, Chinese and Asian peoples possessed this understanding of a whole, interelated and interdependent conceptual framework of our inner and outer world. 

Saturday, March 23, 2013

A general cleaning and buffing of beeswax and natural pigment paintings that were wood framed and glassed  for up to ten years. This is a process of conservation in preparing them for storage.  I do this with a dry, soft organic cotton cheese cloth and a gentle touch. I'll place sheets of butcher block paper between them and store the paintings in cardboard boxes...



Tuesday, February 26, 2013

with Venus, Neptune, Sun, Chiron, Mars & Mercury Rx from 0˚ - 19˚ Pisces (ruled by Neptune) at this time bunched somewhere within in one or two Houses of all our charts we each may well be enveloped with dreams in a 
Sea of Illusion and Delusion
in certain aspects of our lives...

       Sea of Illusion and Delusion          
       12 1/2" x 17 1/2"          
 Earth pigments, Rainbow Chard dye, Beeswax & natural pigment,
grocery bag paper and pencil on Bhutan Tsharsho paper

from http://www.solarcharts.co.nz/Sun%20in%20Pisces.htm
"The natives of watery Pisces can be as variable as the sea. Emotionally, many ol them dwell in a shifting realm of miraculous metamorphoses, teary mists, rainbows reflections, froth, foam, bubbles, and rosy clouds at sunset lit by the incandescefli rays of a fading Sun. This can also be a sea of turbulent waves, tricky currents, and treacherous undertows. or even of death and dissolution. Like the ocean, Pisces is less gentle than it seems. However, most natives of this sign are quiet folk who love that which is elusive and evanescent - too beautiful to be real, or perhaps toe beautiful not to be real."

Lead Us From the Unreal To the Real,
Lead Us From Darkness To Light,
Lead Us From Death To Immortality,
Let There Be Peace Peace Peace. – Brihadaranyaka Upanishad

Sunday, February 24, 2013

Black Water Snake Loti                 27" x 32"               mixed eco materials

Earth ochre pigments
Beeswax & natural pigments (Stockmar)
green Walnut husk dye
Rainbow Swiss Chard dye
remineralized spring water
Khadi paper
Elephant dung paper
butcher block paper

Thursday, February 21, 2013

untitled Lotus motif motive 2/21/13 (1, 2 & 3)

1 - 3 stages in the growth of this piece..
...Peace with White Lotus (Tiger Lotus or Egyptian White Water Lily) Nymphaea lotus 


[untitled] Lotus motivate motif 2/21/13 (1)

[untitled] Lotus motivate motif 2/21/13 (2)

[untitled] Lotus motivate motif 2/21/13 (3)


some re search:
from http://eol.org/pages/486691/details

"As food

In some part of Africa the rhizomes and tubers are eaten for the starch they contain either boiled, roasted or ground to a flour after drying. The young fruits are sometimes consumed as a salad. The seeds are turned into a meal.

The tubers or the seeds are used as a famine food in India.

The white lotus in Ancient Egypt


White lotus decorations. Frieze at a palace in Amarna (1352-1336 BC).
The ancient Egyptians cultivated the white lotus in ponds and marshes.
This flower often appears in ancient Egyptian decorations. They believed that the lotus flower gave them strength and power; remains of the flower have been found in the burial tomb ofRamesses II. Egyptian tomb paintings from around 1500 BC provide some of the earliest physical evidence of ornamental horticulture and landscape design; they depict lotus ponds surrounded by symmetrical rows of acacias and palms. In Egyptian mythology Horus was occasionally shown in art as a naked boy with a finger in his mouth sitting on a lotus with his mother. The lotus was one of the two earliest Egyptian capitalsmotifs, the topmost members of a column. At that time, the motifs of importance are those based on the lotus and papyrus plants respectively, and these, with the palm tree capital, were the chief types employed by the Egyptians, until under the Ptolemies in the 3rd to 1st centuries BC, various other river plants were also employed, and the conventional lotus capital went through various modifications. Women often wore amulets during childbirth, which depicted Heqet as a frog, sitting in a lotus.
The number 1,000 in ancient Egyptian numerals is represented by the symbol of the white lotus. The related hieroglyph is :
M12
The ancient Egyptians also extracted perfume from this flower. They also used the white lotus in funerary garlands, temple offerings and female adornment.
The white lotus might have been one of the plants eaten by the Lotophagi of Homer's Odyssey.

Health effects

Though the plant contains a quinolizidine alkaloid, nupharine, and related chemicals, either described according to sources as poisonous, intoxicating or without effects, it seems to be consumed since Antiquity. The effects of the alkaloids would be those of a psychedelic aphrodisiac, though these effects are more those encountered in Nymphaea caerulea, the blue Egyptian water lily." [Not Recommended experimenting with by unknowledgeable adrenaline]thrill seekers nor groupster gropers]


in considering the four panels with White Lotus foundational design consummated within the painting. also consider six for the total number of panels, and One (4 + 6 being 10 or 1);
from http://numerology-thenumbersandtheirmeanings.blogspot.com/2011/02/number-4.html
NUMBER 4
The world, completion, practice, repetition, realization of power, ability to use practical thinking, basic form of order, prepare for renewal, instinctual knowledge.

Relates to:
Mercury
The Emperor
Wednesday
Green

Character:
The Stabilizer, can undertake difficult or unpleasant tasks, faithful friend, capacity for focused will and self-sacrifice, aware and accepting.

Negative:
Clumsy, conventional, unadaptable, dull.

The 4 energy seeks security and 'home' is their haven.  People under the influence of the 4 are usually very cerebral, and need to find ways to express their knowledge and wisdom.

The number 4 symbolizes the principle of putting ideas into form.  It signifies work and productivity.  The 4 energy is constructive, realistic, traditional and cautious. 

4 is the number of system, order and management.

The number 4 is neutral and is extrovert.  It is related to the planet Uranus and to the star sign Taurus.  The Tarot card representative of the 4 energy is the Emperor. 

4 is the number of fate, so it must be remembered that there will be many things that happen over which you have no control.

Hard work is the experience of the 4 vibration, as ideas are manifested into practical reality.  The 4 energy needs to plan and from that place the 4 person works steadily towards the goal they have set for themselves.  They achieve this with patience, perseverance and directness.  The duty of the 4 vibration is to build a firm foundation for themselves on which others may stand, work and be protected.

The 4 vibration needs disciplined harmony, dependability and responsibility in their lives.  4 maintains order, system and routine to make their drams a reality.  This vibration is to do with energy, harmony and co-operation and it is the 'door to illumination' or 'initiation'.

In the number 4 we may find the powers to create and attain, when used on the positive path.  When the forms of 4 are centred on the material plane, they manifest as creative abilities.  When focused on the spiritual plane, they have the ability to open new avenues for investigation into the psychic and spiritual realms.

A person under the influence of the 4 vibration would be extremely loyal, hardworking and security-conscious, with traditional values and high morals.

The 4 energy dislikes change and sometimes misses out on opportunities because of this.
The 4 energy is work oriented, with a plan and organisation for everything they do.  The 4 individual needs to be disciplined and to have a high standard of honesty.  They are dependable, serious-minded individuals who need to be practical about all that they do.

The person influenced by the 4 vibration is a steady and industrious worker who needs to be kept busy applying their attributes in the everyday world.  The 4 energy works well by themselves, and works equally well with other people, groups and organisations.  Success is there for the 4 energy as they have a strong capable mind and body. 

4 is well organised and demands rules, regulations and discipline in all things.  They see the bigger picture and the natural order of life, and how it can be applied in all that they do.  They see the plan, then move forward with persistence to perform the necessary tasks.

Change is not easy for the 4 vibration to deal with.  They have strong opinions and beliefs about what is right and necessary.  They may appear stubborn to others at times, but this is because they need the time to review and think things through.  4 cannot be pushed as they need to see the orderly pattern of working through things.  The 4 person does not like to be hurried, but needs to work methodically in order to accomplish what they need to.

The 4 energy does not want to be told what to do, and can quickly become argumentative and suddenly aggressive when pushed beyond their patience and endurance.  The 4 vibration is cautious and does not jump into anything impulsively.  They need to think things through, then make a judgement based on their own value system.

The 4 energy needs a home and family to give them support and to be able to share their talents and material possessions with.  The simple pleasures of life are of most importance to the 4 person and they will always be loyal to family.

The 4 person feels that all that they do is best for everyone  -  and often doesn't realize that their plans and sternness can be too restrictive for most people.  The 4 vibration needs to learn to let others live by their own values and standards.

The ultimate goal of the 4 vibration is to organise, establish order and to bring ideas and plans into material form.  They maintain order, system and routine to makes dreams a reality.



Tuesday, February 19, 2013


new work in process is dialogue of "real", "somewhere in between", and "abstract" with a Lotus Flower expressed representation & design. Am working with beeswax and water/binder/pigment mediums, The pigments are Earth ochres, Walnut husk and the reds of Rainbow Chard on Khadi paper, butcher block paper and Elephant dung paper.