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Wednesday, November 30, 2011

found art and art found

organic symbolism                           digital                           "©"Greg Patch                                

Art happens, there's a flow that artists' speak of that we all recognize as "that aesthetic". This wall piece has been speaking to me for months in a room where I practice yoga. A combination of time and the work of a person filling in a w/hole... or was the, or those person(s) in that flow naturally as they/he/she filled in a w/hole? In yesterdays' post Donna Hilton points out the mosaic created with blue
and red approximate 15' squares. Was this an intentional or was it a natural or a supra-natural communication that reaches that aesthete. Is this the universal language? Have we been as "stuck" by our alphabets as we have been with our religions, languages and politics? Were they originally marks of a basic universal language eventually diversified and possessed by tribes. As the separation into tribes become one (again?) and we recognize our global, or multiglobal beingness will our understanding evolve a new, or return an ancient, and/or universal alphabet. Will the circle, or spiral, remain unbroken? Is that flow a universal language that died through mankind's wish to possess it and use it to control those not in power; the masses, the laborors, the lower classes, etc.? The classically great artists speak of a control, but also of the flow of creativity as being their guide. What is this guide of aesthetic that we all appreciate. The works that sing to us, the Muses, the gifted, the ones whose art work was done thousands of years ago and still sings and will sing on in a weave of civilization...

when I posted this on FB today Connie Stanmyer replied, I SEE PI. ...

Tuesday, November 29, 2011

Mosaic Fields

from https://www.facebook.com/permalink.php?story_fbid=280836968619909&id=100000436548654&notif_t=like



Mosaic Fields in Yorkshire? WTF, they must be at least 15 feet squares!

Blackstone and Redstone at a guess

Glasshouses is a small village in Nidderdale, North Yorkshire, England. It lies about 1 mile south east of Pateley Bridge on the east side of 
Nidderdale and has a recently rebuilt river bridge across the river Nidd.


Monday, November 28, 2011

Cheesecloth Grid #3

Cheesecloth Grid #3     
16" x 12"     
og cottoncheese cloth, guache & white glue on Khadi paper

Sunday, November 27, 2011

November 23

November 23      8" x 11"    guache & paperboard on Khadi paper

Saturday, November 26, 2011

Friday, November 25, 2011

handmade papers w/colors on Khadi paper

cotton fiber handmade paper w/turmeric, earth pigments & recycled dyes, turmeric pwd & carrot pulp on Khadi paper
12" x 17"

Thursday, November 24, 2011

Happy Thanks Giving; saying Thanks to the Turkey

http://mdc.mo.gov/hunting-trapping/turkey/wild-turkey-life-history

Wild Turkey Life Cycle

Eastern wild turkeys are part of a group of birds that include pheasants, grouse and quail. Wild turkeys are the largest of the North American game birds with an adult male weighing 17 to 30 pounds. An adult hen will weigh from 8 to 12 pounds.
Gobblers (or toms) are identified by a reddish-blue head and neck, a long hair-like appendage known as a beard, a sharp bony spur on the lower part of each leg and black-tipped breast feathers. Hens tend to be slimmer in appearance, have a less colorful head, and have breast feathers with light-colored tips and lack spurs. A few hens will have beards, but other characteristics help to distinguish male from female.
Wild turkeys differ from domestic turkeys in color and body form. Wild turkeys tend to be slimmer and more streamlined in appearance. Tips of the tail feathers on wild turkeys ar e usually deep chocolate brown; domestic birds generally have white tips. Also, the legs of wild birds are bright pink, while the legs of domestic birds are gray or black.
Wild turkeys are susceptible to many of the diseases of domestic turkeys and chickens: fowl diphtheria, fowl typhoid, cholera, blackhead, trichomoniasis and coccidiosis. Fortunately, wild and domestic birds seldom come into contact with each other, thereby reducing the opportunity for disease to spread. Potential for the transmission of disease is a major reason why releasing domestic birds into the wild is not only discouraged, but is illegal.
In the winter, gobblers flock together and separate from hens and jakes (young males). Occasionally jakes are found with gobblers, but typically they remain with the hens until spring. In early spring, the winter flocks begin to break up and courtship and mating begin. Males travel greater distances seeking mates. Gobbling and strutting activity increases. Strutting displays are spectacular, with tail fanning and wing-dragging. Older, dominant birds do most of the breeding and one gobbler is capable of breeding with many females.
Peak time for gobbling in most years is late April. By this time most of the hens are laying eggs or incubating. The average clutch for wild turkeys is about 11 eggs and incubation takes 28 days. In Missouri, most young turkeys hatch in late May and early June.

Wild Turkey Life Cycle Timetable

ACTIVITYJFMAMJJASOND
Flocks break-upX
Gobbling Begins: 1st peak early AprilXX
Gobbling Continues: 2nd peak late AprilXX
Courtship/matingXX
Hens nestingX
Broods appearXXX
Brood flocks formXXXXXXXXXX
Gobblers seen in small flocksXXXXXXXXXX
Turkey nests are often located near the edge of woods, old fields and roadsides, but can be found in almost any habitat. As soon as the last turkey has hatched, the hen leads her brood away from the nest. During the first 3 weeks of life, young turkeys (or poults) are vulnerable to cold, rainy weather and must depend on the hen for protection and warmth. In addition, foxes, coyotes, bobcats, mink or great-horned owls may prey on young turkeys.
Young turkeys grow rapidly and need a diet high in protein. For the first week, approximately 80 percent of the poult's diet consists of insects. As they grow, their diet broadens to include grass seeds, dogwood fruits, wild grapes, acorns, corn, oats and wheat.
While too young to fly, the poults roost on the ground at night and the hen roosts with them. At approximately two weeks of age, the poults fly short distances and are soon roosting in trees with the hen. By 16 weeks, the young poults are hard to distinguish from adults at a distance.

Wednesday, November 23, 2011

Tuesday, November 22, 2011

handmade papers w/colors on Khadi paper

cotton fiber handmade paper w/turmeric & recycled dyes, turmeric pwd & carrot pulp on Khadi paper
12" x 17"
With these handmade papers I used two rectangular screens to pick up the slurry (fiber pulp) from the water vats. I turned the screens perpendicularly crossed, with one on top of the other forming a square. The framing of the screens created a "winged" effect. This suggests adjacent squares or a grid pattern. The varying colors of the handmade paper squares were created by using turmeric and recycled dyes. I used turmeric & carrot pulp brushed, dripped, splattered and by drawing with my fingers while wet onto the Khadi paper. I placed the handmades into the wet vegetable strokes with wheat paste painted with supporting marks on their backsides. Subtle dimensions are created by varying the strokes, layering of paper and the papers' and the pulp textures.

Monday, November 21, 2011

handmade papers w/colors on Khadi paper

cotton fiber handmade paper w/turmeric & recycled dyes, turmeric pwd & carrot pulp on Khadi paper
12" x 17"

Sunday, November 20, 2011

handmade papers w/colors on Khadi paper

cotton fiber handmade paper w/turmeric & recycled dyes, turmeric pwd & carrot pulp on Khadi paper
12" x 17"

Saturday, November 19, 2011

handmade papers w/colors on Khadi paper

cotton fiber handmade paper w/turmeric & recycled dyes, turmeric pwd & carrot pulp on Khadi paper
12" x 17"

Friday, November 18, 2011

handmade papers w/colors on Khadi paper

cotton fiber handmade paper w/turmeric & recycled dyes, turmeric pwd & carrot pulp on Khadi paper
12" x 17"

Thursday, November 17, 2011

handmade papers w/colors on Khadi paper

cotton fiber handmade paper w/turmeric & recycled dyes, turmeric pwd & carrot pulp on Khadi paper
12" x 17"

Wednesday, November 16, 2011