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Showing posts with label color. Show all posts
Showing posts with label color. Show all posts

Tuesday, November 19, 2013

Saturday, March 2, 2013

Cauliflower budding 1 & 2

photo of Cauliflower 1 shot February 7, 2013 showing the innate spiral of the bud. Cauliflower 2 the outer fractals display as this Cauliflower evolves toward maturity...

February 7, 2013

Caulif lower bud ding


Caul if lower bud ding

March 2, 2013

Caulif lower bud ding 2


Caul if lower bud ding 2

Monday, February 18, 2013

               "the Winter Gunks a Blur" I shot with my old Minolta 35mm in the early 1980's...

                             the Winter Gunks a Blur              ©Greg Patch


Monday, September 10, 2012

Spirit release with harvested Morning Glory

Spirit release with harvested Morning Glory           16" x 56"           mixed eco materials
mixed eco materials;
butcher block paper
og whole wheat flour
decomposing Wild Morning Glory Convolvulus arvensis vine and its Violet flower
Earth ochre pigments 
3 Mockingbird feathers Mimidae familae
re oxygenated water
Vermont Natural Coatings (nci) poly whey water based polyurethane (semi gloss)

and acknowledging application options with installation the above a peace full ness with feathers down and with feathers up, the lift of flight, acsension...

pareidolia...

a virtual conversational on line reply to a friend writing; "did you infuse the butcher block paper witht he Morning Glories"

I went off with this expoundation.

"The flour w/water creates the binding' foundation. The pouring of "wheat paste" and winding/tying the vine down under foldings of the paper help structurally with the piece. The vine akin to the principles of steel rebar in concrete architecture. The wet paste and paper fuse. In this and other works I often use the negative spaces of cracks, holes etc for line, form and weight in the paintings. In length this piece is similar to Frank Lloyd Wright's cantilevering in his design. The relief seen in this are up to 1" thickness. The vine in places reach up out and above the "foundation" creating another dimensional aspect is 1"+ in places. Reducing elements to keep it simple/complex. As the foundation dries and after it dries I apply the color pigments dry as powder and wet mediums, again, helping with some more of the structural component. Recently I've used the commercial water based polyurethane as a final application. More fusion to the wholeness of it with more applied in some places for line, color, shape, reflection/refraction, etc. elements. Really ""] pushing & pulling [" - Hans Hoffmann]  and yanking for the multidimensional visual effect of it. The vine laid out with flow and with chaos add to its illusional quantumness/spiritness/lifeness, etc. The vine was green and violet flowers opened when I drew them onto the paper initially. Tanned/dried, by the sea salt I added  as binder/drier to the paste, again, more structure, color, design oceaness adding to its overall whole effect. Sometimes these hands are moving rapidly, my body dancing about! Hey Jackson likes that action! :) I paint in silence and/or with music for mood, rhythem, color, etc... Great question Steven, Thank you..."

Thursday, September 6, 2012

our/your/my solar flare

peace has not quite reached our capacity with it with this 68" x 48" mixed medium piece. the photo process of it needs more work but thru the process I'm able to objectify some on the piece with my/itself. Other work is structural...

Thursday, August 30, 2012

in the works 8/30/12


have used in the label section for each blog below "rusted metal" free/ly as the pigments I'm using are oxides. 
scale: find tablespoon

Saturday, August 18, 2012

my foot


my foot                     digital                    ©Greg Patch
this exciting podal print was done in the studio working on the "lavender trimmings webh" underpainting. this was washed off with warm water }no soap/heavy detergent} moments after this shot while cleaning up.
the hands and feet are four of the most absorbant places on our bodies for taking in healing with beneficial herbs, minerals, nutrients and energy. looking at what curative effects of the full spectrum of pigment color, with reds dominant, and the mineral oxides of the earth pigments on the "reflexology" points of the foot. these particularly red pigments would be filled with Iron, ie.  
yoginis and yogis would encourage me to develop grounding my 3 small digits! 

Thursday, July 12, 2012

blue

Pure blue, also known as high blue, is not mixed with any other colours.







A block of Lapis lazuli originally used to make ultramarine

http://en.wikipedia.org/wiki/Blue
Blue pigments were originally made from minerals such as lapis lazuli and azurite, and blue dyes were made from plants; usually woad in Europe, and Indigofera tinctoria, or True indigo, in Asia and Africa. Today almost blue pigments and dyes are made by the chemical industry.

and the wiki menu

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Wednesday, July 11, 2012

Monday, July 9, 2012

violet as color, food and medicine

http://en.wikipedia.org/wiki/Violet_(color)

Violet Viola odorata
  • In Green Lantern (comic book), the seven colors of the rainbow each represent their own emotion. Violet light represents love, and the lantern corp that draws power from it are the Star Sapphire. However, the light they use is closer to the web color violet rather than true violet.
  • In the United Kingdom it is traditional to package chocolate in violet colored packaging because of the association of the colorroyal purple with luxury.[11]
  • The "New Age Prophetess", Alice Bailey, in her system called the Seven Rays which classifies humans into seven different metaphysical psychological types, the "seventh ray" of "Ceremonial Order" is represented by the color violet. People who have this metaphysical psychological type are said to be "on the Violet Ray".[13]


Viola can be used as food & medicine
Heartsease (Viola tricolor)
http://www.botanical.com/botanical/mgmh/h/hearts10.html



from http://www.henriettesherbal.com/articles/viola.html

Violets.

On the medicinal herblist in Apr97,

by Karen Vaughan

Violets (Viola odorata, V. tricolor, V. calcarata, V. canadense, V. palmata,V. pedata, V. rotundifolia, V. pubescens and most of the other wild or cultivated species of violets and pansies) are some of the most underappreciated, important tonic herbs.
Photo: Viola canina.All parts of the plant are used: the leaf, flowers, root and whole-plant tincture. The slipperiness of the leaf when you chew it is a good indicator of its medicinal value. The salicylic acid found in all parts of fresh violets is an active disinfectant and tissue solvent. and can be applied externally to soften hard skin, corns and warts. It is also fungicidal. Vitamins C and A are found in large amounts in the leaves. The roots are rich in minerals. And the small leaves and Spring flowers make a fantastic salad!
The leaf is nutritive, alterative, dissolvent (anti-neoplastic, depurative, supperative), mucilaginous (expectorant, demulcent, laxitive, diuretic) and anodyne (vulnerary, antiseptic and emollient). It contains 264 mg of vitamin C and 20,000 IU of vitamin A per 100 grams of fresh leaf, as well as salicylic acid. It is useful for cancer or other growths: an overnight infusion of a quart jar filled with fresh leaves and topped with boiling water is good for cancer, fibrocystic breast disease, or mastitis, and makes a good gargle/mouthwash for gingivitis, ulceration of the mouth, pain from mouth cancers or herpes sores. The infusion is good for the nervous system, eyestrain, too much sun, bronchitis, sinus infections or ear infections.The strained leaves should be used to poultice cancerous or fibrocystic growths and can be used on the back of the neck for stress, insomnia, and nervousness. The small wild violet leaves in a honey poultice, hot fomentation or compress form are especially good for wounds, abscesses, swellings, herpes lesions, skin rashes and acute conjunctivitis.
The Spring pseudo-flower (true seed-bearing flowers which are green and hidden come in the Fall) is antiscorbutic and aperient. All Viola-flowers are edible. Make an olive oil infusion for tinnitus. Make a flower syrup to soothe sore throats, coughs, stomache ache, constipation and digestive distress. (1-5 tsp/day)
Violet roots are antipyretic, diuretic, expectorant, emollient, emetic and cathartic. Violet root is used for reducing coughs, cooling fevers, and soothing sore feet. It can be toxic in excess. In Europe cough syrup is made from violet root. Viola odorata root tincture (5-15 drops per day) or Viola tricolor(pansy) root tincture (5-25 drops perday) are used for respiratory distress, to cool fevers and break up mucus.Pansy root tincture reduces congestion and moves urine. Viola odorata root tincture also calms coughs, reduces inflammation, clears the lingering effects of pertussis and reduces hysteria. The fresh or dried roots, crushed and steeped for several hours in vinegar are used to poultice sore, hot, infected feet and the feet of diabetics.
The whole plant tincture of Viola tricolor (pansy) is specific for cradle cap, impetigo, and scabies. Use it internally for a week or two for cradle cap or impetigo. (2-5 drops for children; 15-100 for adults.) For scabies, use in combination with baths in green soap and sulphur flour or ointment until gone. Pansy tincture is also tonic and pain relieving to the heart.
Toxicity: some people are susceptible to dermatitis from the leaf externally (internally no known toxicity). Large doses of the roots or seeds (from the true flowers, not the colored pseudo-flowers) can cause severe stomach upset, nervousness, high blood pressure and breathing irregularities.
Non-medicinally, I like to make violet flower vinegar for salads and marinades (good with mint.)
  • Violet yogurt is tasty and makes a good facial- stir in flowers to a good fresh yogurt and leave overnight.
  • Candied violets are delightful for cake decoration, but I can never get mine to crystalize in a pretty enough position- mine look like purple sodden lumps. Better crystalizers sell them commercially.
  • To make a nice greeting card, put a violet or dark pansy flower in the pages of a cotton rag-paper notebook. Tap repeatedly with a mallet (or whatever) until the flower impression comes through the paper.
  • You can make homemade litmus solution by filling a jar with violet flowers and boiling water. Strain after steeping it overnight. Acid turns it purple/red and base turns it yellow/green. Use to test whether your bilberry plant's soil needs acidifying.
Howie Brounstein has a funny nomination for violets as the newest fad herb (move over Noni!) http://www.teleport.com/~howieb/treats/fad.html
Keep transplanting them to your garden. (Transplanting is my favorite weeding strategy!)
Karen Vaughan

Tuesday, June 19, 2012

yellow




many artists' refer to yellow as being the most difficult color to work with. some of this difficulty they say is the physical lower strength/intensity of the pigments in the yellow range.  
from: http://en.wikipedia.org/wiki/Yellow
"The word "yellow" comes from the Old English geolu, or geolwe which derived from the Proto-Germanic word gelwaz.[3]According to the Oxford English Dictionary, the oldest known use of this word in English is from The Epinal Glossary in the year 700.[4]
In the English language, yellow has traditionally been associated with jaundice and cowardice.[5] Yellow is associated with the word "caution" and is the second light on stop lights. The color is associated with aging as well, for both people and objects (e.g. "yellowed" paper). Ethnographically, the term "yellow" has been used as a slang term for both Asians ("yellow peril") and, in the early 20th century, light-skinned African-Americans (High yellow).
"Yellow" ("giallo"), in Italy, refers to crime stories, both fictional and real. This association began in about 1930, when the first series of crime novels published in Italy had yellow covers. The term "yellow movie" (黃色電影) can refer to films of pornographic nature in Chinese culture, and is analogous to the English "blue movie".[6] Lastly, it is associated with sensational journalistic practices, or yellow journalism, and resistance to militant trade unions.[7]"

from: http://www.etymonline.com/index.php?term=yellow

"yellow (adj.) Look up yellow at Dictionary.com
O.E. geolugeolwe, from P.Gmc. *gelwaz (cf. O.S., O.H.G. gelo, M.Du. ghele, Du. geel, M.H.G. gel, Ger. gelb, O.N. gulr, Swed. gul "yellow"), from PIE *ghel- "yellow, green" (see Chloe).

Meaning "light-skinned" (of blacks) first recorded 1808. Applied to Asiatics since 1787, though the first recorded reference is to Turkish words for inhabitants of India. Yellow peril translates Ger. die gelbe gefahr. Sense of "cowardly" is 1856, of unknown origin; the color was traditionally associated rather with treachery. Yellow-bellied "cowardly" is from 1924, probably a rhyming reduplication of yellow; earlier yellow-belly was a sailor's name for a half-caste (1867) and a Texas term for Mexican soldiers (1842, based on the color of their uniforms). Yellow dog "mongrel" is attested from c.1770; slang sense of "contemptible person" first recorded 1881. Yellow fever attested from 1748, Amer.Eng. (jaundice is a symptom)."
had the thought cross my mind this morning, "yell ow" establishes a certain pain relatedness to the word. 
how much of these challenging characteristics stem from our associative meanings to the word yellow.
in a more positive light;
from http://en.wikipedia.org/wiki/Yellow
Mayan glyph for yellow
perhaps by understanding the range of its meanings, positive and negative yellow significants, as artists we can come to a more harmonic understanding of the positive and negative yellow and effectually relate this understanding to our using yellow in broader strokes...