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Sunday, March 14, 2010

kratophany



after realizing the word kratophany this morning and reading on its usage and appearance in several sources am incorporating into my thinking that sustainable art is kratophonous! what a great sounding word, kratophany.



from http://www.acrwebsite.org/volumes/v34/500793_100498_v1.pdf "Auspiciousness: Coping with Kratophany" "Kratophany—the simultaneous devotion to, and fear of, the sacred (Pimentel and Reynolds 2004)—"

"affect is one of the recognition of power, sacred power (kratophany)" from http://dannyreviews.com/h/Sacred_Art_Earth.html

"The term kratophany literally rendered is "the appearance of power." Mircea Eliade, however, who made this a technical term in English, used it to indicate an appearance of the sacred in which the experience of power dominates. Thus, that every kratophany must be, at the same time, a hierophany ("appearance of the sacred") is certain by definition, while the converse is less clear; indeed, assent to it will hinge upon the degree to which one regards the concept or experience of power to be an irreducible part of the concept or experience of the sacred." from http://www.bookrags.com/research/power-eorl-11/


Saturday, March 13, 2010

Crayola (Binney & Smith) claims proprietory and will not disclose ingredients in its crayons



It’s interesting to go to the manufacturer websites of visual arts supplies and read through their safety data sheets. These are normally referred to as MDS (material data sheets) or MSDS (material safety data sheets). I've researched most art medium manufacturers; ie., Utrecht, Windsor Newton, Liquitex, Grumbacher, Holbein, Rembrandt, Crayola, etc. All but Crayola allow consumers to view their MDS/MSDS. Why not Crayola? Crayola claims proprietory exemption (http://www.crayola.com/canwehelp/contact/faq_view.cfm?id=298) and hide behind their certification with ACMI (http://www.acminet.org/). Crayola virtually monopolize the market to most children in schools and at home. We are obsessed with Chinese product toxicity being imported but overlook a major trademark company within our borders and assume they wouldn't poison us. Why?

from http://en.wikipedia.org/wiki/Asbestos

Asbestos and talc

Talc is sometimes contaminated with asbestos.[54] In 2000, tests in a certified asbestos-testing laboratory found the tremolite form of amphibole asbestos in three out of eight major brands of children's crayons (oil pastels) that are made partly from talc — Crayola, Prang, and Rose Art.[55] In Crayola crayons, the tests found asbestos levels from 0.05% in Carnation Pink to 2.86% in Orchid; in Prang crayons, the range was from 0.3% in Periwinkle to 0.54% in Yellow; in Rose Art crayons, it was from 0.03% in Brown to 1.20% in Orange. Overall, 32 different types of crayons from these brands contained more than trace amounts of asbestos, and eight others contained trace amounts. The Art and Creative Materials Institute, a trade association which tests the safety of crayons on behalf of the makers, initially insisted the test results must be incorrect, although they later said they do not test for asbestos.[55] In May 2000, Crayola said tests by a materials analyst, Richard Lee, whose testimony has been accepted in lawsuits over 250 times on behalf of the asbestos industry, showed two of its crayons were negative for asbestos.[56] In June 2000, Binney & Smith, the maker of Crayola, and the other makers agreed to stop using talc in their products, and changed their product formulations in the United States.[56] The mining company, R T Vanderbilt Co of Gouverneur, New York, which supplied the talc to the crayon makers, insists there is no asbestos in its talc "to the best of our knowledge and belief",[57] but a news article claimed that the United States Mine Safety and Health Administration (MSHA) did find asbestos in four talc samples that it tested in 2000.[55] At the time, however, the Assistant Secretary for Mine Safety and Health informed the news reporter that his article was in error and that the reporter had misquoted him stating that “In fact, the abbreviation ND (non detect) in the laboratory report – indicates no asbestos fibers actually were found in the samples.”[58] Further supporting the claim of Vanderbilt that asbestos is not found in this industrial grade talc (composed of a very complex mineral mixture) is a decades old record of analytical work that does not find asbestos in this talc by mineral scientists in academia, government and contract laboratories. [59][60][61][62][63][64][65][66][67]
Human, animal and cell health studies conducted on Vanderbilt’s controversial talc also lend no support for the presence of asbestos in this talc.[68][69][70][71][72][73][74][75][76][77] Several non fully peer-reviewed health reports concerning Vanderbilt talc do exist and suggest a "same as" asbestos risk, some of which were referenced in the previously cited news articles.[78][79]

Friday, March 12, 2010

Spring herbal



                                  Young Long Needle Pine of North Carolina Pinus palustris


   Spring! The bursting forth  energies are singing and we are emerging back into the light. In the medicine cabinet are the herb/food to stroke our livers gently, to wake and to strengthen our sleepful eyes/minds. Our breathing becomes more strongly connected, deeply, as it heightens with the warmth. The plant kingdom stirs up the soil, its life energy signals us to harmonize ourselves to the changing environment and to receive its nourishment as its roots strengthen into the rising aerial growth.
   The early sprouting plants, Dandelion Tarraxacum offininale, Burdock Arctium lappa and major, Wild Leeks Allium tricoccum, Poke Root Phytolacca americana,  Fiddleheads Pteriidium aquilinum, Bracken and young shoots of many other plants are medicinally and nutritionally useful, especially in stimulating liver and respiratory functions. Liver and respiratory function helps to determine our whole body tone, strength and adaptive ability greatly as we awaken in the spring. The process of spring calls for large bursts of energy to bring us out of the winter months. Like growth that surges, these spurts are followed by levels of rest, or return, from where we have come.
   This back and forth is the  energy we face with the weather at this time of the year. Synchronizing with these variables is the balance we seek. It is a sustainable practice.  It is apparent in our own lives as we adjust to the changeful season of extremes, cold to warm, dark to light, wet to dry, and death to life all around. This back and forth calls for flexability, resourcefullness and a balancing  adaptability to our environment. We can aid keeping our balance by taking in the nourishment of the plants.
    In using these plants we nourish ourcells/selves. The fresh new leaves are very rich in vitamins C & A and minerals. Spring salads of Dandelion leaf Tarraxacum off., Wild Leeks Allium tricoccum, Violet leaf and flower Viola spp., Chicory leaf Chicorium intybus, Yellow Dock leaf Rumex crispus, Chickweed leaf Stellaria media  are some greens that will help align us to the emerging energies of the environment. The bright spring green branch tips of Pine Pinus spp.  is  perhaps the largest source of Vitamin C in our forests.
     The roots of Dandelion and first year Burdock are  traditionally detoxifying to our liver, decocted or tinctured, and they help to clear the damp heat that accumulates in our bodies during the winter. Burdock is biennial. First year root will not have last years “burr” growth attached. Capsules, tinctures, decoctions, teas, baths and cooking with these herbs help strengthen us for the coming warmer and more liver/ly  season of summer. The roots of burdock and dandelion can be steamed, sauteed lightly, or gently added to soups and casseroles.
    In many traditional healing methods the eyes are considered to be the sense organs of the liver. As the liver detoxifies and is stimulated to life during the spring its performance heightens. The eyes, being affected by the liver, become stimulated and adapt more easily to the brightening, longer days of sunlight, to the increasing visual stimuli of color and to the changing shapes in our natural landscape.
    This symseasonal relationship between the plants and animals is observed throughout the year of changing seasons. Within each season the characteristics of the elements air, water, earth and  fire combine and shape that season on many levels. Each spring/season has different qualities from previous and subsequent  springs/seasons. These qualities mark a symbolism for us to use as a guide to follow in maintaining our own balance on earth. Because of this changeness, I feel standardization of herbal medicine must be looked at most cautiously. Do we really want to think that we can standardize nature!? Have we ever really been successful at that for very long as a species? Let us  recognize changeness in all things. What are balancing with?
    It is interesting that a single plant’s healing energy form changes with the characteristics of the season and the conditions  of the land it is growing in. The root and leaf of dandelion crafted from damp lowland in a very wet spring and the dandelion leaf and root of a higher, drier elevation plant would have a different balance of constituents. As a plant to human correlation, a person living at higher altitudes will have marked higher/faster heart rate and a different lung structure  than that of a ocean side dweller. The two differing leaves and roots of plants would have two differing effects in an herbal application in palnts from different bioregions. We can apply these differences to specific conditions of our healing/balancing.
     As we examine ourselves and see our condition on physical, mental, emotional or spiritual levels we can feed our starving or weaker imbalances more appropriately with the plants whose qualities would most appropriately feed our personal requirements for resourcefullness and adaptability.
    The back and forth energies of spring and fall can be seen as a breathing in and out of elements. The parallel between this and our own breathing can be looked at as a natural phenomena occurring on many levels. For a smoother transition from season to season we can help to maintain harmony between our breathing with that of our environment.
    By consuming plants that work specifically with conditions of  our respiratory system we can tonify appropriately. These plants include Dandelion and Burdock, but also Wild Ginger Assarum canandense, Mullein Verbascum thapsus, Skunk Cabbage Symplocarpus foetidus, Coltsfoot Tussilago farfara, and Stinging Nettle Urtica dioica. Each has its’ ascribed place in spring tonic materia.
    Mental and spiritual stimuli will be effected by stimulating the liver and respiration and spring herbs will help tonify those facilities by used in them in our diet. As we align ourselves to these natural cycles/spirals/enfoldments we discover a new meaning to preventative health care, we are in balance with the changing balances of our environment sustainably.
   Apart from bioregional theoretics; for pollen, mold, etc. sufferers and/or those of us with a compromised respiratory or pulmonary system consider these herbs for soothing and/or strengthening: Astragalus A. membranaceus, Barberry root bark Berberis vulgarios, Cinnamon bark Cinnamomum cassia, Clove Syzygium aromaticum, Colinsonia Colinsonia canadensis, Coptis root Rhizoma coptidis, Echinacea Echinacea spp., Elecampane Inula helenium, Fennel Foeniculum vulgare, late season gathered Ginkgo leaf Ginkgo biloba, Goldenseal root Hydrastis canadensis, Grindelia bud Grindelia robusta, Honey, Hyssop flowers Hyssopus off., Irish Moss Chondrus crispus,  Khella seed Amni visnaga, Lemon Citrus limonum,  Licorice root Glycyrrhiza glabra, Lobelia whole herb in seed Lobelia inflata, Lomatium Lomatium dissectum, Mullein leaf, Verbascum spp., Oregano leaf, Origanum vulgare, Osha root, Ligusticum porteri, Peppermint Mentha piperita, Poke root Phytolacca americana, Propolis resin, Red Root Ceanothus americanus, Reishi mushroom/mycelium Ganoderma sinensis/lucidum , Sage Salvia off., Stinging Nettles Urtica dioca,  Thuja Thuja occidentalis, Thyme Thymus vulgaris ,  Usnea lichen Usnea barbata,  and Wild Indigo root Baptisia tinctoria.
     As with any writing on herbalism this article is not a  prescription for medical action. We  each need to process our own lives, and disease/imbalance with it, with the guidance of a Doctor and/or skilled health practitioner. One needs to have a trained understanding of “how much” for instance. Starting with small amounts is key to coming to that understanding on a personal level. Other skilled healing therapies, acupuncture, chiropractory, reiki, massage, the arts ( music, dance, painting theatre, etc.), yoga, tai chi etc., are very helpful in healing/balancing work. Living is
revolve.

DISCLAIMER: The information by Greg Patch is intended to provide general and educational information for you. The information given on these pages is not a substitute for a physician's diagnosis. Please consult your physician and/or professional health care provider on specific medical questions.

© 2000 Greg Patch

Thursday, March 11, 2010

GridSunrise finished



Reverting back to some earlier work, must be my mood regressing with spring allergy attack! When the completion occurs I buff the surface with a soft cotton cheese cloth. This brings a sheen to the surface of the beeswax and illuminates the layers of color.

Wednesday, March 10, 2010

GridSunrise in process



Nearly at the completion of the sketch. From here the process of clarifying and cleaning up will occur. Am feeling very critical of having not going far away from the landscape idea toward a more field-ness. Here there is a danger that critical thinking may become an excuse for nit-picking and narrow-mindedness. I could too easily be seeing the flaws before seeing the strengths making it seem more imperfect than it is. A painting is an illusion much like what we see. How far can I push and pull more toward fieldness without loosing the freshness and rawness that I'm enjoying with  it in its present state?

Tuesday, March 9, 2010

Painting & Drawing Pigments with no significant hazards

http://www.ci.tucson.az.us/arthazards/paint1.html

Health & Safety in the Arts
A Searchable Database of 
Health & Safety Information for Artists
Painting & Drawing Pigments with no significant hazards

Charcoal Black
Bone Black
Graphite Black/Stove Black Pigment Black #10
Mars Black
Phthalocyanine Blue
Ultramarine Blue
Burnt Sienna
Sepia
Van Dyke Brown
Green Earth #23
Phthalocyanine Green
Ultramarine Green #24
Mars Orange Pigment Red #101
Indian red (red iron oxide)
Ultramarine Red Pigment Violet #15
Mars Violet Pigment Red #101
Ultramarine Violet Pigment Violet #15
White Pigment White #24
White Pigment White #18
White Pigment White #23
Titanium White White #6
Mars Yellow
Ochre
Raw Sienna
Sienna
Yellow Ochre
Yellow Iron Oxide Pigment Yellow #42, #43
Metallic Gold Pigment Metal #3
Metallic Silver

Monday, March 8, 2010

Climate change affecting duck migration



http://www.kait8.com/Global/story.asp?S=11502997

In the above link "Dr. Jim Bednarz, professor of Wildlife Ecology at Arkansas State University conducted research and found significant increases in waterfowl populations in the northern part of the flyway and significant decreases of waterfowl in the southern part of the flyway.”

I was prompted to check this out today by a friend who lives in the northeast and pays alot of attention to wildlife. They had said that they had noticed alot of ducks still in the area this winter (unscientific study). Whether either study signifies global warming is obviously questionable. Here in the Wilmington, NC area we had the 10th coldest winter on record. Maybe we are in the midst of global confusion, with us and with ducks. Duck and geese flight patterns and migrations are truly phenomenol. In terms of wave consider; the motion of their wings, the motion of entire migrating flock (often numbering in the hundreds) as a whole appears as a long wave in the sky, south in the winter and north in the summer is a seasonal time wave, and in the photo the wave in their formation.