the first photo is of the templates drawn to the innate wave in the driftwood. I superimposed a thin rice paper to see the lines in the wood that I wanted to accent. once satisfied, after trial and error really, I cut the papers and then superimposed them onto the Papel de Amate and marked for reference to where I want the color waxes to be. an interesting phase of the piece; working three dimensionally with fabricating a template for transfer from the piece to the Papel de Amate and then that back to the piece.
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